Textures & styles
Use these visual directions to start a conversation about the character you want the room to carry.
3 profiles · 3 textures matching your filters
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Drawn as schematics we author ourselves — geometry only, with no dimensions or catalogue implied.
Schematic cross-section
A flanged silhouette borrowed from structural steel language. The recessed web casts a shadow line down the length of the run, so the beam reads as a deliberate architectural element rather than a decorative applique.
Best considered for contemporary and industrial-leaning rooms, and ceilings where a shadow line adds welcome depth.
Schematic cross-section
The same flanged silhouette with a rhythm of applied fixings along the web. The detail is a visual motif — an industrial reference, not a structural connection.
Best considered for industrial and warehouse-influenced interiors, hospitality rooms that want a stronger character line.
Schematic elevation
A run punctuated by repeating openings along the web. The voids lighten the mass visually and set up a measured cadence down the length of the ceiling.
Best considered for long uninterrupted runs, and spaces that want a graphic detail without added visual weight.
Texture character
Six directions, described by what they look and feel like rather than by a collection name.
A near-flat surface that reads as a considered plane rather than as timber. Light travels evenly across it, so the beam holds its line and the room stays quiet.
Best considered for contemporary rooms where the silhouette should carry the idea, not the grain.
A directional, evenly-cut surface with a repeating linear grain. It gives a beam texture you can read from across the room without tipping the space into rustic.
Best considered for transitional rooms, and long runs where a directional grain reinforces the line.
Weathered character with tonal variation across the face — the look of a timber that has had a previous life. Warm and cool notes sit side by side, which helps a beam relate to mixed finishes elsewhere in a room.
Best considered for rooms with layered materials, and palettes that mix warm and grey tones.
Finish family
Directions rather than named stains. The exact finish is settled against a physical reference and the materials already in your room.
Mid-tone timber character — the most forgiving against mixed palettes.
Send photographs of the room and the finishes already in it, and we can work out which direction sits best against them.
Next step
Every card on this page can be added to your enquiry, so the first conversation starts from what you have already chosen.
